print club news

print club news edition #02 - Why colour is so important to me

If you’ve seen my work, you’ll immediately realise that I use a lot of colour. For me, the interaction between colours gives a solidity and a depth to my work. My “Therapy Tapes” Series use bold, solid colours to create a contrasting tension between the two blocks used to make the print. Sometimes these colours are complimentary to each other and sometimes i’ll use different tones of the same colour, either way, the visual result is that one colour will make the other ‘pop’ and the whole image jump off the paper, or in the case of the “Ink Blot” Series, the translucent colour has to work with the opaque colour in a way that means they simply resonate with each other. The relationship between the colours is so important and the way in which they work when placed next to or over each other, that if the colour is even a little bit off when printed, i’ll just clean up and start again.

To create these prints, I only ever mix enough ink for me to complete a “Small Edition”, this might range from an edition size of between 4 - 12 prints. The reason for this is that I only mix that exact colour once and it is highly unlikely that I would be able to replicate this mixed colour again. This is why I refer to them as ‘Mixed Once Colours’. This makes the prints very limited while still being affordable.

I also use a LOT of extender. This is something that can be mixed into with an opaque or semi-transparent colour making an ink which ranges between a little bit or very translucent, depending on the ratio of extender to pigment. Being able to achieve this level of translucency for my “Ink Blot Prints” is essential, I must be able to create a print layer which allows the background colour to transform into a third colour when the two blocks are printed over the top of each other.

In order to create these amazing colours I only use Cranfield Colours Caligo Safe Wash Relief Inks. They have a very comprehensive range of colours, the process colours mix really well to create tertiary colours and the pigment is really good, a tiny bit of your darker colour mixed into the lighter base colour makes a massive difference. The extender can be mixed into with your desired amount of colour, the more pigment you add, the more opaque it will be, but adding a small amount of colour will create a very translucent and beautiful ink. They are really easy to clean up with soap and water or some people use vegetable oil, I find hot water and soap works just fine, in-fact, I am able to clean off my glass inking plate with hot water at good pressure. Don’t let them touch anything plastic as that’s a bit of a ‘mare to get off, similarly metal sinks! If you’re not using these inks, you really should. I buy mine from Lawrence Art Supplies, Jacksons Art, and Handprinted UK.

Print club news edition #01 - new work and group show

I’m sharing a couple of quick images of the first two prints from the Small Edition “Ink Blot Prints Series #2” there will only be 6 of each print total and I’m printing 2 different background colours and 4 different secondary colours. These are the first two .

Each colour combination uses deliberately “Mixed Once Colours”. These colours are mixed only once, and the ink is all used to produce the number of prints there will be in each edition. This ensures that each print will be a combination of non-repeatable colours, this makes the work more collectable and my “Small Edition” philosophy means I strictly apply a limit to each print edition and will not replicate it once printed with the exact colours it has already been printed in.

These prints are a combination of Block Number #3 and Block Number #4 which are created using the outline of actual ink blots which I encouraged out of chaos. Each outline is meticulously copied and carved into my Lino of choice, Japanese Vinyl which I find gives a wonderfully clean block. The carving can take a couple of days to complete and is an excercise in patience and an extreme level of care and concentration. There is no certainty until the block is inked and printed and is revealed.

I love printing.

In other exciting news. I have all four (4) Prints from “The Ink Blot Series #1” appearing in a Group Show at the Minories Gallery, 74 High Street in Colchester, Essex titled: “Expressions of Trauma” I’m really excited to be part of this exhibition which runs from 10th of October to 10th of November. If you’re local to that area pop by and have a look, it’s open Thursday to Sunday from 10am to 4pm.